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李烈聲（本名李瑞鵬），澳門資深寫作人，平生涉獵歷史、掌故與舊體詩詞。他於上世紀四十年代末曾任廣州《越華報》主筆、澳門《精華報》副刊編輯、《華僑報》專欄作者；其後移居南美千里達，出任當地華文及英文報刊社長、總編輯等職務；其後再於六十年代末移民加拿大，曾任多倫多中文報章之總編輯，後棄文從商，經營超市及屠宰工業生意四十年，退休後，重新執筆替北美洲《世界日報》撰稿，近年亦不斷在港澳等地發表文學作品，著有《冷月無聲》、《回首風塵》、《聽雁樓詩集》等多部作品。《時代回聲 - 李烈聲訪談錄》一書透過口述訪談的形式，展現李烈聲先生的人生故事和創作經歷，與廣大讀者分享澳門檔案館的相關口述歷史成果。

Palace of Double Brilliance: Special Exhibition from the Palace Museum is a comprehensive exploration of the Palace of Double Brilliance (Chonghua Gong), the residence of Emperor Qianlong during his time as a prince. With more than 130 cultural relics from the Palace Museum’s collection, the exhibition unveils the stories of historical figures associated with the palace, offering insights into the life of the emperor as a son and husband. The exhibition reveals the glory of that time and the palace’s rich history. This catalogue features images of all exhibits, along with informative descriptions and an essay.

Introduce the selection and winning entries of the Annual Exhibition of Macao Visual Arts 2024 - Western Media Category

This issue delves into various aspects of Macao’s art, history and culture, as well as its global interactions, while the highlight falls on the 250th anniversary of the birth of George Chinnery.

This catalogue for the exhibition The Splendour of Chinese Bronzes: Masterpieces from the National Museum of China includes images of over 150 exhibits, presenting a comprehensive view of visual artistry, decoration and pattern, inscriptions and calligraphy, technical skill, and corrosion representation. Additionally, it features descriptions of the exhibits and essays, providing a valuable reference for understanding the history and art of Chinese bronze.

This catalogue features the exhibit images of Focus: Integration of Art between China and the West in the 18th-19th Centuries. With the export paintings and works influenced by George Chinnery from the collections of the Macao Cultural Affairs Bureau’s Macao Museum of Art and the Guangdong Museum as its core, this exhibition is also a collaboration with the Hong Kong Museum of Art and the Macao Museum. Featuring over 300 pieces of artwork that look into painting style, painting skills and painting materials, the exhibition unveils the visual dialogue and integration between China and the West, which local and foreign artists brought about in the Pearl River Delta area during the 18th and 19th centuries. The exhibition features three sections: 1. Integration of Painting Styles: George Chinnery and His Painting Styles 2. Acclimation of Painting Skills, and 3. Adaptation of Painting Materials. The exhibition offers a glimpse of the visual dialogue and integration of Chinese and Western painting skills through an array of botanical paintings, ship portraits, landscapes, and genres. It also offers an overview of the adaptation and integration of Chinese and Western painting materials through various Chinese and Western painting materials, including oils, watercolours, gouache, sketches, and printmaking.