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This issue intertwines the themes of maritime conflict, diasporic heritage, and cultural hybridity, trying to explore Macao’s position in global historical narratives.

Macao, a Special Administrative Region of China, is among the most densely populated areas in the world and a thriving metropolis marked by a dynamic blend of contrasting urban typologies. The city’s complexity, resulting from rapid growth and high-density construction, cannot be simply characterized as that of the “Las Vegas of the East” – as Macao is often called. Macao has long served as a significant hub for cultural exchange between East and West. The city’s historic center has been largely preserved and has undergone rapid development: a series of newly built, large-scale leisure and entertainment complexes define the city’s iconic casino district, while urban planning and architecture in various new areas reflect ambition and confidence in contemporary urban development. In this publication, architects Wang Shu and Lu Wenyu investigate the coexisting, parallel worlds of Macao – visually documented here by Iwan Baan’s remarkable photography.

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Palace of Double Brilliance: Special Exhibition from the Palace Museum is a comprehensive exploration of the Palace of Double Brilliance (Chonghua Gong), the residence of Emperor Qianlong during his time as a prince. With more than 130 cultural relics from the Palace Museum’s collection, the exhibition unveils the stories of historical figures associated with the palace, offering insights into the life of the emperor as a son and husband. The exhibition reveals the glory of that time and the palace’s rich history. This catalogue features images of all exhibits, along with informative descriptions and an essay.

Introduce the selection and winning entries of the Annual Exhibition of Macao Visual Arts 2024 - Western Media Category

This issue delves into various aspects of Macao’s art, history and culture, as well as its global interactions, while the highlight falls on the 250th anniversary of the birth of George Chinnery.