This paperback catalogue contains images of all items showcased in the exhibition ‘Wandering across the Landscape: Collection of the Macao Museum of Art’ as well as relevant articles. The catalogue features over 160 items in the collection, which were created by foreign artists between the 17th and the 21th centuries to represent the landscape of Macao, and comprises three sections: ‘Topographical Images: Prints from the 17th to the 19th Centuries’, ‘Chinnery’s Shadow: The Artist, His Companions and Students’ and ‘Traces of Modern Art: Works from the 20th to the 21st Centuries’. The catalogue brings together the artistic footprints left in Macao by artists from different regions, from paintings made by painters of Western diplomatic corps and travelling artists in earlier times to oil paintings, ink paintings, prints, sculptures and video installations produced by foreign artists in the 21st century with a modernist or contemporary touch.

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Xian Xinghai was a great “people’s musician” in modern Chinese history, whose belongings are mostly collected in the Chinese National Academy of Arts. In celebration of the 20th anniversary of Macao’s Handover to China, the Xian Xinghai Memorial Museum borrowed some of the belongings for exhibition in Macao. This array of exhibits is now illustrated in this book in Chinese, Portuguese and English, including his certificates, diaries, letters, manuscripts, violins and clothes, through which the public is expected to better understand his life and artistic achievements.

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《樂善好施 - 高可寧與德成按》一書為暨南大學文學院中國文化史籍研究所副教授趙利峰所著。全書以史實為據、以通俗為文，深入淺出地介紹了晚清民國時期澳門典當業的發展歷程。 作者通過梳理該時期澳門當押業的相關文獻史料，又以當時澳門當押業龍頭“德成按”的創建及營運過程，及其創設人高可寧先生的事跡，向讀者生動了介紹澳門當按押業的發展史，並將澳門典當業置於中國當時歷史時空背景，澳門當押業的發展，可以說是中國典當業發展演變的歷史縮影 。

PIRATES IN THE WATERS OF MACAO (1854-1935) intends to be more than an exhibition of documents on a theme that has always captured the interest of a wide audience. The word “pirate” conjures up a whole imagination of adventures, romances, cruelties and barbarities. It is a set of social representations cultivated fundamentally by literature and the film industry. However, as we move away from imagination and choose to do a deeper study, we quickly realize that we are facing a particularly complex subject. For this reason, PIRATES IN THE WATERS OF MACAO (1854-1935) is a project that aims, on one hand, to encourage interest in the study and investigation of this subject as a multidimensional historic issue involving geopolitical, diplomatic, economic and social aspects, and on the other hand, to make known a particularly rich collection of documentation preserved in the Archives of Macao (AM). There are 6 topics organized to constitute Part I of this catalogue and some documents from the exhibition are presented here to serve further research on the subject. Part II of this catalogue presents records in AM which are identified to be directly related to the issue of piracy in Macao and its neighbouring waters and territories, from which documents featured in the exhibition are selected.

In addition to "Macao Studies" column which covers Macanese cuisine, Issue no. 62 also features the columns of "Historiography", "Martial Arts", and "Ethnobotany".