本書依照時序軸線，記錄下冼為鏗先生走過大半世紀的風雨人生 - 從他童年經歷太平洋戰爭爆發、目睹日本軍機轟炸港島，到其後輾轉舉家來澳定居，再到1950年發起創建澳門學聯，積極開展愛國活動等經歷；透過口述記錄，還原了冼為鏗先生投身澳門教育事業，推動澳門教育發展，以及曾促成高秉常主教率團訪問京、寧、滬，使天主教與內地關係得以改善，還有回歸前擔任中葡聯絡小組“三大問題”之一的中文官方地位的談判代表……見證澳門多個重要的歷史時刻。

《葡萄牙人在華見聞錄》收錄了由方濟各‧沙勿略神父、貝爾西奧神父、加里奧特‧佩雷拉、加斯帕爾‧達‧克斯修士、若奧‧德‧巴洛士及費爾南‧門德斯‧平托等人撰寫關於16世紀來華葡萄牙人在中國所見所聞的一些記錄，這些記錄原為葡文，由王鎖瑛女士進行輯錄、翻譯及校註。王女士為葡萄牙中華文化之友協會會長，原為阿威羅大學教師及研究生導師，長期從事中葡雙語教學翻譯及研究工作。 16世紀初，葡萄牙人終於到達了名為“大明”的大中華帝國。他們來自古老的歐洲，卻發現這裡的世界更古老；他們來自文明的國度，卻發現這裡的文化更燦爛；他們來自發達的國度，卻發現這裡的經濟更繁榮。當時來華的葡萄牙人包括神父、商人等均對中國的風土人情感到耳目一新，因而不吝筆墨，紛紛執筆寫下自已的所見所聞，並異口同聲地讚歎當時的中國是一個近乎完美的理想世界。他們的描寫細緻入微，栩栩如生，使讀者們感受到仿佛是在觀看一幕幕已知或未知的舞臺劇。

Multi-Prismatic Mutual Views - International Invitational Exhibition of Contemporary Art is co-organised by the Macao Museum of Art (MAM) under the Cultural Affairs Bureau and the School of Intermedia Art (SIMA), China Academy of Art. A total of 32 artists/arts groups from the mainland China, Taiwan, Hong Kong and Macao as well as from Japan, South Korea, Germany, France and Italy, are invited to participate in the exhibition. This exhibition catalogue, with related work introductions and artists’ resumés, features all images of paintings, photos, installations and AR/VR works and other cross-disciplinary creations.

From ancient times to the present, porcelain is the most commonly used ware by ordinary people in their everyday life, and also the main utensil in the royal court of the past dynasties. In the Ming Dynasty (1368–1644), the court used a large scale of ceramics for decorative items, sacrificial offerings, religious rituals, and internal and external tributes. Thus, the imperial kiln porcelain was one of the symbols that highlight the emperor’s absolute authority. The hardcover catalogue of the Quintessence of Imperial Kiln Porcelain of the Ming Dynasty from the Palace Museum Collection contains images of all the items showcased in the exhibition, as well as the research materials for each exhibit. At the same time, it also includes a thesis written by expert of the Palace Museum on imperial kiln porcelain in the Ming Dynasty. The catalogue presents a selection of 120 pieces (sets) of representative artworks from the imperial porcelain kiln produced in the Hongwu to Wanli periods (1368–1620) of the Ming Dynasty, according to the order of their production times.

See Table of Contents in the publication

Issue no. 67 features an unprecedented study based on Portuguese navigation diaries which unveils some mysteries of the establishment of Macao.

Cui Ruizhuo, a famous contemporary Chinese artist, is skilled in finger ink painting. His works have been exhibited in Russia, Japan and Palace Museum in Beijing. This hardcover catalogue comprises images of all exhibits, detail information of the artist and related writings. The contents are divided into two parts: Chinese paintings and calligraphies, with a total of 75 works.