《城市印記 - 澳門檔案館館藏地圖精選》書中收錄的設計圖、規劃圖、供水管圖、水文圖和地圖，具體地展示了1880年代至1980年代一百年間澳門城市的現代化歷程。

李豔芳，生於澳門，長於澳門，曾任小學教師、報社記者、副刊編輯，積極從事文學創作，至今已逾半世紀。上世紀六十年代，她曾以“李心言”為筆名，在香港文藝雜誌發表作品，後與人合辦油印文藝雜誌《紅豆》，寫有小說、新詩和大量散文，反映澳門不同時代的人與事，著有散文集《有情天地》、《北窗內外》、《愛在紅塵》，以及散文合集《七星篇》等。作為 “澳門文藝拓荒者的中年一代”（李成俊語），凌稜致力於透過文學書寫澳門，留下了小城人文歷史的重要見證，也為推動中葡文化的傳播與交流作出貢獻。有見其在文學、媒體等領域的多年貢獻，以及個人成長跨越不同時代的獨特經歷，將有關口述訪談資料整合編輯並出版《今生瀚墨昨生緣——凌稜訪談錄》口述歷史叢書，與研究者、市民大眾，尤其是青少年及文學愛好者，分享有關的口述歷史成果，亦有利於日後進一步研究利用。

See Table of Contents in the publication

This issuepresents nine contributions originated in the first Lisbon-Macao Philosophy Symposium that took place at the University of Lisbon in 2019. This conference was intended to foster Luso-Chinese exchange in the area of philosophy, dedicated to the theme “Philosophical Encounters between the Lusophone-and the Chinese-speaking World as a Bridge between East and West”.

The clothing culture of the Qing emperors and empresses embodies the Chinese nation’s ritual and etiquette system, religious beliefs, traditions and customs developed over thousands of years. The hardcover catalogue Stately Demeanour: Costumes of Qing Emperors and Empresses from the Collection of the Palace Museum contains images of all items showcased in the exhibition. The catalogue presents a total of 87 pieces (sets) of artefacts in five sections: official costumes, festive costumes, regular costumes, travel and military costumes, and leisure costumes.

This edition portrays the artistic variety of Macao, its internationalization and trends, featuring the urban histories of Macao and Hong Kong, and the presence of Confucius in the Portuguese culture, among other topics.

He Duoling is one of the best oil painting artists in China in the contemporary era. The Rebirth in the Spring Breeze: Art Exhibition of He Duoling showcases 48 pieces/sets of sketches and oil paintings which cover various periods of He's artistic pursuit, including his new works in 2019. From these exhibits, visitors will catch a glimpse of his artistic development and feel his vigorous and endless creativity.